Worhip curator Cheryl Lawrie of Melbourne, Australia writes on her blog. Hold::This Space,
Should cockroaches appear
"It was lovely to see Mark Pierson over breakfast this morning. Kurt Vonnegut’s eight rules for writing a short story came up in the conversation:
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things – reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them – in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last pages.
- from Bagombo Snuff Box: Uncollected Short Fiction
It was number 7 Mark and I were talking about; create spaces with just one person in mind…
I think they might be the framework for my next workshop on sacred spaces / alt worship… I’d rewrite 6 [acknowledge that awful things already happen to people...] and 8 [give participants as much grace as possible, as soon as possible, and let them write the end of the story themselves...]."
Should cockroaches appear
"It was lovely to see Mark Pierson over breakfast this morning. Kurt Vonnegut’s eight rules for writing a short story came up in the conversation:
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things – reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them – in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last pages.
- from Bagombo Snuff Box: Uncollected Short Fiction
It was number 7 Mark and I were talking about; create spaces with just one person in mind…
I think they might be the framework for my next workshop on sacred spaces / alt worship… I’d rewrite 6 [acknowledge that awful things already happen to people...] and 8 [give participants as much grace as possible, as soon as possible, and let them write the end of the story themselves...]."
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