Donald Miller states in A Million Miles in a Thousand Years,
“We don’t want to be characters in a story because characters have to move and breathe and face conflict with courage. And if life isn’t remarkable, then we don’t have to do any of that; we can be unwilling victims rather than grateful participants.”
“Before I learned about story, I was becoming a fatalist. I was starting to believe you couldn’t feel meaning in life because there wasn’t any meaning to be found. But I don’t believe that anymore.”
"The point of a story is never about the ending, remember. It’s about your character getting molded in the hard work of the middle."
"I’ve never walked out of a meaningless movie thinking all movies are meaningless. I only thought the movie I walked out on was meaningless. I wonder, then, if when people say life is meaningless, what they really mean is their lives are meaningless. I wonder if they’ve chosen to believe their whole existence is unremarkable, and are projecting their dreary life on the rest of us."
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“We don’t want to be characters in a story because characters have to move and breathe and face conflict with courage. And if life isn’t remarkable, then we don’t have to do any of that; we can be unwilling victims rather than grateful participants.”
“Before I learned about story, I was becoming a fatalist. I was starting to believe you couldn’t feel meaning in life because there wasn’t any meaning to be found. But I don’t believe that anymore.”
"The point of a story is never about the ending, remember. It’s about your character getting molded in the hard work of the middle."
"I’ve never walked out of a meaningless movie thinking all movies are meaningless. I only thought the movie I walked out on was meaningless. I wonder, then, if when people say life is meaningless, what they really mean is their lives are meaningless. I wonder if they’ve chosen to believe their whole existence is unremarkable, and are projecting their dreary life on the rest of us."
Buy the Book
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