The Whale Rider

Whale Rider is a 2002 film directed by Niki Caro, based on the 1987 novel The Whale Rider by New Zealand Māori author Witi Ihimaera. The world premiere was on September 9, 2002, at the Toronto International Film Festival.

The movie's plot follows the story of Paikea Apirana ("Pai") at the age of 12 who is the only living child in the line of the tribe's chiefly succession because of the death of her twin brother and mother during childbirth. By tradition, the leader should be the first-born son — a direct patrilineal descendant of Paikea, the Whale Rider — he who rode atop a whale from Hawaiki. However, Pai is female and technically cannot inherit the leadership.

Pai's grandfather Koro Apirana, or Old Paka as his wife Nanny Flowers calls him (an affectionate corruption of "old bugger," per the book), the leader of the tribe, is initially angry at losing his grandson and being left with a "worthless" female. While he later forms an affectionate bond with his granddaughter, carrying her to school every day on his bicycle, he also resents her and blames her for many of the troubles facing the tribe. At one point Pai decides to leave with her father because her grandfather is mistreating her. She finds that she cannot bear to leave the sea and returns home. Pai's father refused to assume traditional leadership; instead he moved to Germany to pursue a career as an artist. Pai herself is interested in the leadership, learning traditional songs and dances, but is given little encouragement from her grandfather. Pai feels that she can become the leader although there's no precedent for a woman to do so, and is determined to succeed.

Koro decides to form a cultural school for the village boys, hoping to find a new leader. He teaches the boys to use a taiaha (fighting stick). This is traditionally reserved for males. So Nanny tells Pai that her second son, Pai's uncle, had won a taiaha tournament in his youth while he was still slim, so Pai secretly learns from him. She also secretly follows Koro's lessons. One of the students, Hemi, is also sympathetic, but Koro is enraged when he finds out, particularly when she wins her fight against Hemi. Koro's relationship with Pai erodes further when none of the boys succeed at the traditional task of recovering his whale tooth from the ocean — the mission that would prove one of them worthy of becoming leader.

Pai, in an attempt to bridge the rift that has formed, invites Koro to a concert of Māori chants that her school is putting on, as her guest of honor. Unknown to all, she had won an inter-school speech contest with a touching dedication to Koro and the traditions. However, Koro was late, and as he was walking to the school, he notices that numerous right whales are beached near Pai's home. The entire village attempts to coax and drag them back into the water, but all efforts prove unsuccessful; even a tractor doesn't help because the rope breaks. Koro sees it as a sign of failure and despairs further. He admonishes Pai against touching the largest whale because "she has done enough damage" with her presumption.

I'll not spoil the rest of the story, but leave it to you to find resolution there can be.

While the plot of the book is basically the same, it pays less attention specifically to Pai/Koro, and mainly focuses from a perspective of narration by Pai's uncle; in the film, Pai herself is the narrator. It clearly expresses the deep resentment felt by her grandfather, and Pai's longing to gain his respect as a rift opens between them. From Wikipedia

Comments

Becki said…
I saw the movie several years ago. It is thought provoking. I then knew very little about Maori culture. I always enjoy learning about other cultures....is it a true representation? Also, why tell them end of a movie???? Who wants to see a movie that the whole story has already been told?
Jill said…
Thanks, Becki. I made the adjustment and think all will be better off for it. Sloppy of me! Glad you liked the film. Watching it last nite on the beach, with cabbage trees framing the giant screen, flax bushes at my back and a near full moon made it all that more special and appropriate. Cheers.